Some thoughts following a year of going to lots of venues in and around Cambridge
Being a self-styled ‘community cameraman’ means I get to go out and about filming in lots of community venues. This year I’ve been to places in my home town that I had never been to before – such as the Corpus Playroom. These have often been venues that I have heard of but never got round to going to. This week it was the CB2 Basement – which is exactly as described. You can get about 30 people inside theatre style. Suitable for short performances and sketch shows, or for singer-songwriters starting out. Here’s a sketch from Paul & Izzy’s funky panto on 18 December 2014
“Is there lots of bad news for Cambridge on this front?”
On the venue front, yes – but…
But…the problem isn’t one that can be solved by the venue owners or operators themselves. It’s something that goes far beyond a level that institutions currently consider. It also requires a level of co-ordination & co-operation at undreamt of levels.
“OK – list the problems”
- Transport accessibility to venues
- Knowledge of existence of venues & their availability
- Affordability of venues to people & groups that want to use them
- An anecdotal but as yet unquantified excess demand over supply
…to name but a few.
Let’s take two very separate case studies: Cambridge United Football Club and the West Road Concert Hall.
Car traffic on match day is always huge, making it difficult to run a decent Citi-3 bus service because Newmarket Road gets clogged up very quickly. Just as we did during my season-ticket-holding days, the roads of the local industrial estate and residential roads become places where fans try to find any space reasonably close to the stadium to park. During the 1991-92 season, there were games I attended where Cambridge would get double the attendances they get today – in the days when United had Dion Dublin & Steve Claridge up front. Had United got promoted that season, they’d have been in the Premier League for 1992-93. As it was, they lost to Leicester City, who subsequently lost to Blackburn Rovers & the rest is history. My point is that even with a high-flying team, Cambridge United will struggle to get more than 7,000 into the stadium for a match simply because the local transport infrastructure is not up to scratch. Why the local councils have not been able to agree transport improvements or an alternative venue is beyond me.
West Road Concert Hall
With Cambridge University’s main concert hall, as a child we used to go to the classical music concerts here. I remember them being excruciatingly ‘Keeping up appearances’-style events – ones where I felt embarrassed to be there. They didn’t have popcorn during the intervals – they had apples instead! Big shiny red ones! These were the days when my understanding of ‘cool’ was all things Stevenage – where they had a multilplex cinema, a bowling alley, an ice rink and most importantly, a McDonalds. Cambridgeshire remained stubbornly free of the last until 1992/93!
Just as it was then, it’s notoriously difficult to find a parking space nearby. The only bus route that serves the hall is the Uni4 bus service – aimed at students rather than residents. For those students living/studying close by, rocking up to a concert is relatively easy. If you are a resident in Cambridge suburbs, going to a concert requires military precision planning. Again, it doesn’t matter how wonderful the musicians or composers are, you’ll struggle to get people from outside classical music circles going along.
Where are our venues?
I discussed this here – part of the problem is we don’t have all of the information we need in an easy-to-access-and-analyse format. There are many hidden venues in Cambridge’s community silos – such as Save our Space through to under-used school and church halls. My existing challenge to the city is: How can we make the process of searching for suitable venues much less frustrating and time-consuming?
‘We can’t find suitable venues – they are all booked up/they are too expensive!’
I’ve heard these points made too many times for us not to do something about it. What we don’t have is hard data on the number of enquiries made that do not lead to confirmed bookings – and the reasons why. From anecdotes from people across the city I believe there is huge untapped demand for community venues. See the second half of the video below.
But without a more solid evidence base it’s difficult to make the case for greater investment in new or expanded existing ones.
The above was my view from the stage of the Cambridge Corn Exchange – before people filled it for the Dowsing Sound Collective Christmas Cocktail that sold out. What you’re looking at in this picture is 1,000 soon-to-be-filled seats. This was the first time I had seen the Corn Exchange from the stage. My first impression was that it was smaller than I had anticipated. The transport infrastructure around the trio of Cambridge venues – The Guildhall halls, the Cambridge Arts Theatre and the Corn Exchange isn’t great for pedestrians. The reason being they are strangled by the car routes into and out of the main city centre car park. (Will we get a metro?)
Even students are finding it hard to find venues – their colleges putting corporate interests first
This was one of the complaints by the recently-founded Whose University? campaign. With continued funding pressures, and with the international brand Cambridge has, you can see why conferencing is big business. But how do you balance the demands of conferencing with the needs of students?
If we want to find out what sort of venues Cambridge needs, and then go about building them, where do we start?
My first reaction to looking at the Corn Exchange was that Cambridge needed a venue with double the capacity. The Corn Exchange itself needs a big refurb backstage too – as do many of the other venues I have been to. If anything, the architecture backstage in the older venues feels a bit ‘Downton Abbey’ – splendid at the front where the customers are, but a maze of warrens at the back. Not good if you’ve got over 100 singers or large props on stage! Hopefully with the new Cambridge Live Trust they’ll be able to get some investment into the building.
‘Get me the data, get me the proposals from the community groups’
This for me is where we’re at now. Hopefully the coming together of the Cambridge arts’ communities can be the catalyst that drives the change. Gathering the evidence base is an essential part of that process.